Basavaraj rajguru biography of martin
Some Basic information about Lingayat Introduction / History
The Lingayat people are known for wearing a linga, an object representing God; in this case, Shiva. They are a numerous group in India, especially in the state of Karnataka.
This group formed in the 12th century by Basava, a philosopher and a social reformer. He taught against the caste system and its regulations. He envisioned a casteless society, though the resulting society eventually began drawing up lines of caste distinctions again, creating their own hierarchy of social status after Basava's death.
Basava consented to the marriage of a Brahmin woman and a man from an untouchable caste. This story reached the ears of King Bijjala who punished the couple by putting out their eyes and dragging them to their deaths behind an elephant. Basava saw this punishment as unacceptable and left Kayla. He moved on to Kudula Sangama where he died in
Where are they located?
They are found primarily in Karnataka, where they comprise a major population. They are also found in significant numbers in Maharashtra and Andrah Pradesh.
What are their lives like?
The Lingyat are vegetarian and refrain from alcoholic drinks. They are known to be a progressive people and there are people from many walks of life and religious expression to be found among them. Most work in government service, but they are from many occupations, including artisans, cultivators and priests.
What are their beliefs?
They have a series of initiatory rites, including Lingadharane, the bestowing of the linga. This rite is usually performed within the first week of a child's life. From this day forward, the person will wear the stone as an act of worship of God (Shiva), in a box around their neck. The linga is not seen as a mere representation of God, but rather God himself They adore Shiva, but Basava taught that his worshipers should worship him alone rather than numerous gods. Lingayats reject polytheism and the Vedas and follow Photo: Shyam G Menon Some months ago, in Mussoorie, I asked a senior experiential educator from the UK, why the simple experience of being outdoors wasn’t deemed as good an education as contrived outcomes delivered from the same. Why is it team-building and leadership; why isn’t it plain nature, just being there? He said I was overlooking the genesis of outdoor education in Europe in the shadow of the continent’s wars. That’s the imagination at work. If I visit my understanding of the world I was born to, the legacy of war is more than boot camps teaching camping skills and mountaineering expeditions primed for conquest. The 20 century is the bloodiest century known to man. We fought two world wars and several local wars and battles. I recall novel after imported novel read during my college years and foreign movies watched, in which the hero was fashionably ex-army. There were lots of wars a protagonist could be veteran of – World War II; Vietnam, Korea, not to mention Afghanistan and Iraq for more recent heroes (I understood only later the tremendous psychological impact of World War I on mountaineering). Service in the armed forces or exposure to war was also there in the non-fiction realm with the biographies of some noted civilians mentioning military service. Post World War II, our world changed drastically as the consumerist age with its giant industrial systems, and eventually the age of information technology, took off. In the century of war, corporate culture popularised the idea of war among companies and preparedness for battle within. Corporate officials are soldiers in another uniform. Indeed, once when I went to assist at an outdoor management development (OMD) program, I was intrigued to see an Outdoor Expert – OE as they are called in the business – attired in military fatigues, even as the program never left a resort’s lawns. Very likely, had he been dressed differently, he wouldn’t have seemed adequately outdoors to the clients t Meet Sangeetha Katti, an extraordinary talent in the world of music! A celebrated Indian playback singer and Hindustani classical vocalist, Sangeetha has made her mark across the vibrant musical landscape of Karnataka and beyond. Her unique blend of hindustani vocal, indian classical, and kannada bhava geethe has enchanted audiences and earned her acclaim as a skilled musician and composer. Sangeetha Katti's impact on the music industry is nothing short of groundbreaking; from winning the prestigious Karnataka Rajyotsava Award to collaborating with renowned music directors, her contributions have enriched the cultural tapestry of Indian music. What truly sets Sangeetha apart is not just her mesmerizing voice, but her connection to the vinyl culture--a medium cherished by audiophiles and collectors alike. With a passion for preserving the artistry of music, her vinyl releases invite listeners into a tactile and immersive world, enhancing the listening experience. Let's dive deeper into the life and legacy of Sangeetha Katti! Sangeetha Katti was born on October 7, , in the cultural hub of Dharwad, Karnataka, to Dr. H. A. Katti and Bharati Katti. Growing up in a family that valued education and the arts, Sangeetha was exposed to music from an early age. Her father, an admirer of classical music, played a pivotal role in nurturing her talents. At just four years old, a chance meeting with the legendary composer Naushad Ali transformed her life; impressed by her precocious talent, Naushad became her mentor. This early exposure shaped Sangeetha's worldview, intertwining her cultural roots with her musical ambitions. As she learned from esteemed instructors like Pt. Basavaraj Rajguru and Smt. Kishori Amonkar, her connection to music deepe I18n Error: Missing interpolation value "artiste" for "{{ artiste }} Disques vinyles et discographie"
Who is Sangeetha Katti? A Brief Career Overview
Sangeetha Katti's Early Life and Background
Akashvani Dharwad celebrates cultural legacy of Karnataka
Akashvani Dharwad, launched on Jan 8, , by RR Diwakar, then the Union minister, holds a special place in Karnataka's cultural history. From its inception, it has been a bastion of traditional and contemporary art, serving as a platform for legendary artistes like Mallikarjun Mansur, Gangubai Hangal, and Basavaraj Rajguru. The station not only captured the artistic brilliance of these icons but also nurtured rural talent, creating "radio celebrities" who became household names.
Akashvani Dharwad's reach extended far beyond entertainment. It became a hub of knowledge, presenting programmes like Vachanaamrutha, Krishi Sodhane, and Vanitha Vihar that educated and enriched the lives of listeners. The station also stood as a medium of connection, bringing the music, thoughts, and ideas of Karnataka to every home, from urban neighbourhoods to the remotest villages.
The era of the golden voice
For decades, Akashvani Dharwad was synonymous with excellence in broadcasting. People began their mornings with soulful programmes like Vandana Chintana and ended their days with gripping radio plays. Radio dramas and interviews held a special charm, with voices like Yamuna Murthy and Prabha Shirur etching themselves into the memories of generations.
The radio station also played a pivotal role in promoting regional arts, with programmes dedicated to folk music, devotional songs, and literary discussions.
Challenges in digital era
K Arun Prabhakar, DD