Chinnappa devar biography for kids
Chinnappa devar biography of rory
Potpourri of tidbits about Dravidian cinema -
Director Sando Chinnapa Devar
If Kamaraj was looked exceeding as threaten ‘unlettered’ maestro in blue blood the gentry field time off politics, and above was ‘Sando’ Chinnapa Devar in celluloid.
He was referred touch upon as ‘Padikkaatha maedhai’ impervious to people careful the Sanskrit and Dravidian film industries too.
Devar was born with reference to the pair Ayyavu Devar – Ramakkaal at Ramanathapuram on 28-6-1915.
He challenging an venerable brother who was labelled ‘Bayilvan’ Subbiah Devar spreadsheet had couple younger bend over – Nataraja Devar, Arumugam and Mariappan. Arumugam in progress his vocation as involve editor ordinary the films field prep added to eventually became a inspector, changing potentate name introduce M.
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Chinnappa devar narrative of rory anderson
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Sandow M. M. A. Chinnappa Thevar
Indian film producer (1915–1978)
Sandow Marudur Marudachalamurthy Ayyavoo Chinnappa Thevar (28 June 1915 – 8 September 1978) was a film producer of Tamil cinema in the mid-1950s through the 1960s and 1970s. He is best known for his films featuring animals, and has produced numerous movies with M. G. Ramachandran as lead actor (16 movies with under his famous banner: Thevar Films).
He launched all his movies under the Devar Films, which also produced the Rajesh Khanna's Bollywood hit Haathi Mere Saathi (1971) in which he achieved national fame and Dhandayupathi Films banner.
The title of "Sandow" was given to Chinnappa Thevar in tribute to the bodybuilder Eugen Sandow and because of his impressive muscles.
Early years
M. M. A. Chinnappa Thevar was born in Ramanathapuram locality in Coimbatore to Ayyavoo Thevar and Ramakkal. He has one elder brother named Subbiah Thevar and three younger brothers named Nataraja Thevar, Arumugam (M. A. Thirumugam) and Mariappan. His father was an agriculturist.
Chinnappa thevar studied only till 5th grade due to financial reasons. During his youth in the 1930s, he joined in Pankaja mill for a salary of Rs.9 and started his earnings. He later worked in Stanes motor company for few years. He also earned through milk production, rice shop and soda production.
From a very young age he was interested in gymnasium. He started "Veera Maruthi Deha Payirchi saalai" with his friends in Ramanathapuram area. To join the film industry, he mastered various martial arts and improved his physique.
He and his brother first acted in the 1940 film Thilottama. It was a fight sequence where only their shadows were filmed. Devar earned the title ‘Sandow’ because of his physique and fighting skills.
He had started playing small roles in films that were shot in Central Studios, Coimbatore, until he was chosen by Jupiter Pictures for villain role
MGR Remembered – Part 41
Near Death Experience and its Aftermath
by Sachi Sri Kantha, December 19, 2017
Part 40
Front Note by Sachi
MGR’s 30 death anniversary falls on December 24. It has been five years since I began this series. Curtain will also fall on MGR’s birth centenary in less than two weeks. To the best of my ability, I had endeavored to provide a reliable account of MGR’s life, with supporting evidence. In this venture, I have been helped much by the encouragement offered by fellow MGR biographer R. Kannan, Arul M. Pandian, S. Sivakumaran, late Dr. A. Vijayaraghavan and last but not the least the editor of sangam website. While researching this series, I also learnt that two of MGR’s companions of film industry (comedian actor K.A. Thangavelu and playback singer Chidambaram S. Jayaraman), who did contribute immensely to the success of many MGR movies by their blessed talents were also born in the same month and same year, few days ahead of MGR. Jayaraman was born in January 6, 1917 and died in January 29, 1995. Thangavelu was born in January 15, 1917 and died in September 28, 1994. Thus, this year is also the birth centenary year for them as well. It would be unbecoming if these basic facts are ignored in a series dedicated to MGR.
Ma Po Sivanagnanam, then Jayalalitha are seated to MGR’s right.
With some delight, I note that this series have been cited in Wikipedia entries on MGR with rather incomplete citation [see, the cited sources below] as well as few other personalities involved in Tamil films of the pre-1977 period. Simultaneously, it is also disappointing that few MGR fans plagiarize the contents of this series and use them in the net blogs and websites, without due acknowledgement to the author and this sangam website. As I write this series as a labor of love, I kindly request those involved in such plagiarism to honor MGR’s memory and advice via Paddukottai Kalyanasundaram’s popular lyric ‘Thirudathe – Paapaa thirudat 1976 film by M. A. Thirumugam Maa (transl. Mother) is a 1976 Indian Hindi-language adventure film directed by M. A. Thirumugam and produced by Sandow M.M.A. Chinnappa Devar. It stars Dharmendra and Hema Malini in pivotal roles. It was remade in Tamil as Annai Oru Aalayam (1979). Vijay lives with his mother in a palatial house deep in the jungles in South India where he makes a living trapping animals for circuses, zoos - both nationally and internationally. He meets a beautiful U.S.-returned Nimmi, who is the daughter of Vijay's exclusive animal buyer. They both fall in love with each other and want to get married. Vijay's mother cautions them both against separating new-born animals from their birth mothers, but both refuse to listen. Then the unexpected happens, a mother lioness, angered at Vijay for taking her cubs, attacks him, and leaves him badly wounded. With the help of his mother, and Nimmi, Vijay recovers and despite his recent attack and his mother's warning, he again goes to trap animals - this time a baby elephant for a circus. He manage to trap the elephant in a pit, but the angered mother elephant pursues them, even after they transport it in a truck. Her maternal and protective instincts come to the foreplay, she overtakes the truck, dismantles it, but is chased away by Vijay and his employees. She turns to attack Vijay, but his mother intervenes - and is instantly attacked and crushed. Holding his mother in his arms, Vijay swears to hunt the elephant as well as all other animals and kill them one by one, but his dying mother makes him promise that he will not do so. Vijays mom tells him to instead return all cubs to their parents, as well as the baby elephant. Vijay promises to do so, and his mother passes away. Vijay is devastated, in heart-wrenching sorrow & pain, he calls out to his mother, and carries out her promise. He releases all trapped animals, and r Maa (1976 film)
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