Crina semciuc biography definition

Selfie (stylized as #selfie) is a 2014 Romanian teencomedy film directed by Cristina Jacob and produced by Zazu Film. The plot revolves around three 18-year-old girls (played by Crina Semciuc, Flavia Hojda and Olimpia Melinte) who decide to spend their last days before the final exam on a trip to the beach, rather than keep studying. The film is catching attention upon the selfie phenomenon, famous among the young generation in 2014. The action of the movie is immortalising the protagonists using their mobile phones and posting selfie photos and videos on social media.

Yasmine, Roxi and Ana are willing to have fun and forget about the stress of the last 2 days before the Baccalaureate exam. For them, having fun means a final big adventure, breaking the rules and never thinking about any possible consequences. In their seek for freedom, love and adrenaline they meet three young men they hang out with at sea.

• Crina Semciuc as Yasmine Necsulescu
• Flavia Hojda as Ana Ceausu
• Olimpia Melinte as Roxana Popa
• Alex Calin as Bogdan
• Levent Sali as Mihai
• Vlad Logigan as George
• Alina Chivulescu as Cecilia Popa
• Razvan Vasilescu as Nicu Ceausu

Rest of cast (listed alphabetically)

• Florin Calinescu as Policeman 1
• Catalin Catoiu as Clementin
• Dan Chisu as Yasmine's Father
• Bogdan Cotlet as Policeman 2
• Anghel Damian as Rares
• Constantin Florescu as Math Teacher
• Razvan Fodor as Sergiu
• Ion Grosu as Po

If there are two shots that you want to really consider in a film, it’s the first and last shot. The first usually informs what the text is about, and likely contains some sort of symbolic meaning for the larger whole. The last shot usually closes the loop. The opening shot of Paul Negosecu’s Men of Deeds is of a truck ferrying chickens along a highway. One of the chickens falls out of the bed after the truck hits a speed bump. In doing so, Negosecu sets up the film as being a text about how the bumps of society leave some behind.

In Men of Deeds, the chicken left behind is Ille (Iulian Postelnicu), a small-town police chief. Ille can hardly be considered a success. He’s in his mid-thirties. His family life has fallen apart. His entire motivation seems to centre around building an orchard in the countryside for himself. There’s something pastoral about the whole endeavour; maybe, just maybe, this will make him a man.

Ille’s incapacity to see what is around him works on a narrative and thematic level. I love when the larger structure of films is crucial to understanding the film itself. There’s a scene where Ille is chastising the son of a widow by providing stereotypical, “man of the house now” truisms. He calls it foundational; societally speaking, it probably is. But it’s clear that Ille failed at maintaining that foundation throughout his life, which makes the repetition of such a comment crucial to understanding his character. Really, he’s just trying to convince himself to stay with the other chickens, that the path is still the path. Meanwhile, the widow and the local church authorities proceed to have a violent screaming match outside, which reaches such a fever pitch it begins to drown out Ille’s sermonizing.

It’s a wonderful sequence, and one that is impressively subtle in its construction. Its implications suggest that Ille is blind to the actual machinations of what is around him. It’s also a sequence that will be difficult to pick up on, and ma

We looked around and we noticed how, in 2019, women in all fields (including those in the Romanian film industry) are still fighting for equality. Which, of course, we are sure it doesn’t come as a novelty.

If you gather all the members of the Romanian Film Development Association team, you will get a total of 10 women and a boy (Alex, thank you for being with us). We think that’s a good thing. But how would a world where women have most of the leadership positions would look like, every day? We think it wouldn’t be that bad either.

But maybe we’re not right. Maybe it would be idealistic, unbalanced and wrong. Let’s not do this imagination test alone. So we asked some of the successful women in the Romanian film industry how they imagine this world where women have the last word.

Here’s what they answered:

How do you think a world where most of the leaders are women would look like?

Iulia Rugina (director)

I think an unbalanced world is, from start, a dysfunctional one. A majority of leading women is as extreme as a majority of leading men and I wouldn’t be so radical in this fight for equality. I think there are jobs for which a woman is more competent than a man and the other way around. But this is not about intelligence or qualities, often it is about the physical side (and here I think it’s absurd to put the equal sign between men and women), comfort, personal choices. General statements such as “women are more sensitive”, “men are more practical”, “women park their cars badly”, “men do not understand anything”, etc. I find them superficial and dangerous, any side they would come from. I have often heard about my job as being a man job and I have never got upset about it because it has never come as an issue me not being capable on the reason that I am a woman and thus I am inferior, the issue would be strictly related to the physical aspect. The fact that you are gone for a long