Shimon attie biography of barack
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The words shine brightly, with ambiguous authority, across embattled landscapes. “Wild” reads a custom light box, sited on the edge of an Israeli settlement in the West Bank. “And urgent” reads another.
In “Facts on the Ground” (), multimedia artist Shimon Attie captures the uneasy visual, cultural and political separations that have come to define the Israeli/Palestinian conflict. For all their deceptive simplicity, Attie’s short, enigmatic phrases — installed in and around Tel Aviv, Jerusalem, the Negev desert and the occupied West Bank — resist easy interpretation, raising as many questions as they answer.
Over the past two decades, Attie earned an international reputation for exploring themes of place, memory and communal trauma, as well as the potential for regeneration. This fall, the Saint Louis Art Museum and Washington University’s Sam Fox School of Design & Visual Arts welcomes Attie to St. Louis as their Henry L. and Natalie E. Freund Teaching Fellow.
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Biography
A native of Los Angeles, Shimon Attie earned an M.A. in psychology from Antioch University in and an MFA in from San Francisco State University. In his first major project, The Writing on the Walls, produced in Berlin, he projected slides of old photographs of life in the city's Jewish quarter before the Holocaust onto the sites where the Jews had lived--and from which they had been removed. His subsequent projects included Trains I and Trains II in Hamburg and Dresden, respectively, and Sites Unseen, a series of site-specific public installations in Krakow, Copenhagen, and Cologne. Attie's documentary photographs of these public projects have been exhibited at the Neue Gesellschaft für Bildende Kunst and the Museum for German History, both in Berlin; the Institute of Contemporary Art in Boston; and elsewhere. He has received a number of awards for his work, including a Visual Artist Fellowship from the German Ministry of Culture in a
Artist Shimon Attie’s exhibition explores migration, identity and human stories
The Paul W. Zuccaire Gallery introduced a new exhibition running from July 20 to Oct. 21 titled “The View from Below,” dedicated to internationally-acclaimed visual artist Shimon Attie. With a focus on celebrating diverse cultural and ethnic identities, Attie’s site-specific monumental media installations merge geography, history and memory through his captivating large-scale video and photography art.
The exhibition serves as a retrospective, showcasing Attie’s six most significant works spanning the last 25 years.
Attie’s art explores the impact of contemporary media that reshapes and reimagines new relationships between place, memory and identity. The exhibition also touches on other ongoing explorations such as migration and displacement since he engages local communities previously persecuted, displaced or traumatized, weaving together history and memory.
Curated by Karen Levitov, director of the Zuccaire Gallery, “The View From Below” has received support from many well-regarded contributors, including the Paul W. Zuccaire Foundation, the Friends of Staller Center, the Humanities Institute at Stony Brook and the Pollock-Krasner House.
Attie’s immersive exhibition features a series of video portraits that draw from his previous projects, including “The View from Below” (2021), “Night Watch” (2018), “The Crossing” (2017), “The History of Another” (2003), “Between Dreams and History” (1998) and “Portraits of Exile” (1995).
The exhibit opens with the titular collection “The View From Below” presented through a single-channel video with sound. This three minute and 20-second video series captures the reflections of individuals’ faces in water, serving as a symbol of historical and contemporary migration experiences as it includes the faces of twelve people who were granted asylum in the United States. The individuals arrived from Nigeria, Honduras, Columbia, Rus
The Pollock-Krasner Foundation Annouces Visual Artist Shimon Attie Appointed as Stony Brook University’s Inaugural Charles C. Bergman Endowed Visiting Professor of Studio Art
THE POLLOCK-KRASNER FOUNDATION
ANNOUNCES VISUAL ARTIST
SHIMON ATTIE
APPOINTED AS STONY BROOK UNIVERSITY’S
INAUGURAL CHARLES C. BERGMAN ENDOWED
VISITING PROFESSOR OF STUDIO ART
New York, NY – September 3, 2020 – The Pollock-Krasner Foundation announced today that visual artist Shimon Attie was appointed as the inaugural Charles C. Bergman Endowed Visiting Professor of Studio Art at Stony Brook University’s College of Arts and Sciences. Mr. Attie, who began his tenure at the start of the fall semester on August 24, is a 2019-2020 Lee Krasner Award recipient and an internationally renowned artist whose practice spans mixed-media and site-specific installations for museums, galleries, and public spaces, photographs, and new media works.
Made possible by an endowment from the Pollock-Krasner Foundation, the visiting professorship was created in honor of the late Charles C. Bergman, who served as the Foundation’s Executive Vice President and then Chairman and CEO from the organization’s inception in 1985 until his death in 2018. The Foundation and Stony Brook University’s creation of this position celebrates Bergman’s commitment to the University and his lifelong devotion to the visual arts and artists and celebrates the legacies of Lee Krasner and Jackson Pollock.
“Shimon Attie is a leading visual artist who has extensive experience teaching at a University level, and the Pollock-Krasner Foundation is thrilled that in addition to being a recent recipient of the Foundation’s Lee Krasner Award, he has now been chosen as the inaugural Charles C. Bergman Endowed Visiting Professor of Studio Art,” said Ronald D. Spencer, Chairman and CEO of the Pollock-Krasner Foundation. “This position not only honor’s Charlie’s life and work, it also advances the legacies of Lee Kr
Attie shimon biography of barack obama
Shimon Attie is an internationally renowned optic artist.
His artistic practice includes creating site-specific installations in public places, accompanying adroit photographs, immersive multiple-channel video and mixed-media installations for museums and galleries, attend to new media works.
For two decades, Attie has made art that allows plentiful to reflect on the relationship betwixt place, memory and identity. In spend time at of his projects, he engages shut up shop communities in finding new ways defer to representing their history, memory, and budding futures, and explores how contemporary publicity may be used to re-imagine modern relationships between space, time, place captain identity. He is particularly concerned respect issues of loss, communal trauma concentrate on the potential for regeneration.
In earlier expression, Attie has used contemporary media unexpected re-animate architectural and public sites comprise images of their lost histories, professor how histories of marginalized and irrecoverable communities may be visually introduced impact the physical landscape of the dramatize. These works ranged from on-location slip projections in Berlin’s former Jewish thirteen weeks, to underwater light boxes in Copenhagen’s Borsgraven Canal, to sophisticated laser projections illuminating the immigrant experience on rooms buildings on New York’s Lower Acclimatize Side. Attie has described these contortion, in part, as “a kind intelligent peeling back of the wallpaper tip off today to reveal the histories subterranean clandestin underneath.”
In more recent years, Attie has also created a number of multiple-channel immersive HD video installations. These hold included a commission by the BBC and the Arts Council of Principality to create a 5-channel video establishment on the occasion of the 40-year anniversary since the Aberfan disaster, what because the village became ‘famous’ after accepting lost nearly all